Udar: Ever-changing, 2024

Libby Leshgold Gallery, Emily Carr University of Art + Design.

The installation Udar: Ever-changing is a compilation of three distinct techniques— Kantha stitch, Karchupi embroidery and Moom batik—all crafted using unconventional materials. The fabrics used in this installation come from an old white cotton saree that were generously donated by community elders. Despite not being wearable, the fabric held significant sentimental value, making it difficult to discard. Repurposing this fraying piece of clothing, giving it a new life and transforming it into something entirely different from its original purpose using non-traditional tools to mimic similar markings a traditional tool would produce. 

The techniques used are as follows:

Kantha Stitch: The middle panel portrays the technique of mimicking Kantha stitch. In this fabric panel, one half features traditional Kantha stitch, while the other half is painted to replicate the Kantha stitch. By using acrylic paint mixed with modeling paste, the marking created similar textures to actual stitches. Running your fingers through the panel gave a similar tactile experience. Viewers had to get really close to differentiate between the two techniques, creating a moment of closeness with the piece.

Karchupi Embroidery Panel: The beaded panels in the center were crafted using a continuous chain stitching method known as Karchupi stitching. This technique involves applying a consistent pull, enabling the formation of a straight line of beading. The red pointed oval shape bears resemblance to the vulva, serving as a commentary on the inception of life and symbolizing the beginning of one’s journey. I use the vulva to represent the women who have imparted the knowledge of the crafts I practice. Additionally, I utilize it as a symbol of “motherland,” paying homage to my roots.

Moom Batik Panel: At each end of the installation, the Moom Batik panels take their place. These panels were crafted using handmade Block Batik foil stamps, illustrating migratory birds that are accentuated with vibrant threading. The birds symbolize not only myself but also other migrants who, like me, have undertaken a significant journey in pursuit of a new home. The intricate nature pattern in the background serves to connect the natural elements of both lands, emphasizing the intertwining of the two environments.